One was killed by drowning. A few succumbed to grief. At least one fell and broke his neck, while others went by hanging, or in battle, or were stabbed. Some deaths were quite singular—a ‘burning quotidian tertian’, a ‘Malady of France’, a bear’s meal, and even a death from a surfeit of joy. All told, the killer had some 250 victims, not including the nameless souls that died without notice. No, this isn’t some horrid tale of a serial killer run amok, but the casualty list from William Shakespeare’s plays.
Posts by Katie H
It can sometimes be easy to forget how transformative World War I was to the course of history. A war that began with nineteenth century visions of cavalry charges to glory fatally collided with the reality of the technology of the twentieth century. The brutal carnage that the war became soon revealed that medicine, like army tactics, would have to change radically in order to address the wounds—physical and mental—of the casualties returning from battle.
Thanks to the popularity of Netflix’s series The Crown (and the constant drumbeat of stories about Meghan and Harry vs. Kate and William) there has been a resurgence of interest in one of the Windsor family's most fascinating characters, Princess Margaret. Younger sister of Queen Elizabeth, Princess Margaret has to be arguably the most polarizing royal figure of her era.
In 24 hours, Lena Aldridge’s life has been turned upside down. She’s lost her job, witnessed a murder, possibly committed a few felonies and been offered the chance to make it big on the Broadway stage by a previously unknown family friend. For the young chanteuse, London’s Soho has always been home, but the lack of a job and entanglement in a murder offer little choice but to board the Queen Mary for New York. But first class on the luxury liner is no safe haven.
Ever been tempted to wonder about literary might-have-beens? Say, if F. Scott Fitzgerald had lived and written during the Regency period, or Emily Bronte had imagined Cathy and Heathcliff marrying and living happily (or not) ever after? Author Claudia Gray (aka Amy Vincent) loves Jane Austen, and like a lot of other Austenites, she too wonders, what if? In this case, her what if? musings have borne fruit in The Murder of Mr. Wickham.
Ghosts may make their unwelcome presence in a house for any variety of reasons, but the specter haunting the Hacienda San Isidro is there for reasons so deeply rooted in the land that it might never be fully purged. In Isabel Cañas’ assured debut The Hacienda, the ghost of the eponymous home is meant to be a sanctuary for Beatriz, a young woman trying to piece some security together after her general father is killed as a traitor following Mexico’s brutal War of Independence.
Evelyn Maltravers had hoped she wouldn’t have to brave the ruthless London season and catch a wealthy husband, but that’s exactly where she finds herself in the spring of 1862. Her prospects aren’t ideal: with no dowry to speak of, the reputation of an elder flighty sister to overcome and a depressed London society in mourning for the recent death of the Prince Consort, Evelyn has her work cut out for her.
The Mystery Writers of America recognized the best in recent crime writing this past Thursday with the presentation of the 2022 Edgar Awards.
It’s spring(ish) time, and time to turn thoughts to new beginnings. Publishers relish this time of year, as April marks the start of the big push to for new titles. This year is no different, and along with a lot of familiar names, there are plenty of new authors who have been waiting, after the ups and downs of the pandemic years, to see readers back in bookstores and libraries to discover their new works.